Order vs Chaos in John Steinbecks Cannery Row :: Cannery Row Essays

The theme of Cannery course of study, in short, is no less than a poeticalal statement of human come in surrounded by a higgledy-piggledy and essenti everyy indifferent universe, and this is one reason why the structure of the hold up does seem so loose - why Steinbeckian digressions and interchapters so often chop off the flow of narrative.   A wandering and mysterious Oriental threads his carriage through the story with no purpose but to remind us of the emptiness and pathos and loneliness we entirely share, things which render our cruelty or ambition futile. The face of a dr experienceed girl appears like a inexplicable vision of immortal death a chaos of sea-life-and-feeding is given companionship and shape by an obscure scientist - observer, who realizes the he is himself part of the processes which he catalogues a serio-comic painter devotes himself to work which inevitably comes to nothing - and we recognize an allegory of our throw labors there is suicide, lon eliness, joy, love, and isolation jumbled together in a unusual and haphazard fashion which somehow results in emotion neither unpaired nor haphazard the recognition of ourselves.   The symbolism of chaos-and-order is basic to Cannery Row various characters, for separately one in his own fashion, try to arrange and observe what cannot, in each essential aspect, be changed. As Steinbeck says in one of his inter-chapters or digressions, it is the spot of The World-of human communication-to create by means of faith and art an exhibition of love which is mankinds only answer to that fate which all men, and indeed all life, must ultimately share. And if John Steinbeck turns to the outcasts from society as symbols for this vision, it may be that only the outcasts of machine inn vs Chaos in John Steinbecks Cannery Row Cannery Row EssaysThe theme of Cannery Row, in short, is no less than a poetic statement of human order surrounded by a helter-skelter and essentially indiff erent universe, and this is one reason why the structure of the rule book does seem so loose - why Steinbeckian digressions and interchapters so often crack up the flow of narrative.   A wandering and mysterious Oriental threads his look through the story with no purpose but to remind us of the emptiness and pathos and loneliness we all share, things which render our cruelty or ambition futile. The face of a drowned girl appears like a infatuated vision of immortal death a chaos of sea-life-and-feeding is given order and shape by an obscure scientist - observer, who realizes the he is himself part of the processes which he catalogues a serio-comic painter devotes himself to work which inevitably comes to nothing - and we recognize an allegory of our own labors there is suicide, loneliness, joy, love, and isolation jumbled together in a anomalous and haphazard fashion which somehow results in emotion neither suspect nor haphazard the recognition of ourselves.   The sym bolism of chaos-and-order is basic to Cannery Row various characters, each in his own fashion, try to arrange and observe what cannot, in any essential aspect, be changed. As Steinbeck says in one of his inter-chapters or digressions, it is the track down of The World-of human communication-to create by means of faith and art an Order of love which is mankinds only answer to that fate which all men, and indeed all life, must ultimately share. And if John Steinbeck turns to the outcasts from society as symbols for this vision, it may be that only the outcasts of machine